Remember the FedEx spot with fast-talking John
Moschitta? He was clocked at over 500
words per minute. The concept of fast talk was fun
creative. Made for a memorable
commercial. Especially since he really
had to the reading.
John Moschitta in FedEx Commercial Courtesy YouTube |
Fast forward (pardon the old guys’ term) to today with
ProTools, Audition and other audio programs.
You want a fast talker? Just highlight the track, go into effects, and
you’re off to the races. Ten-times?
One-tenth? Done! It may not sound great but it gets you there.
That ease of execution may be what put Mr. Moschitta out of
a job. At the same time, the fast talking has become pervasive in every audio
spot that requires a disclaimer.
Four paragraphs to get to the point. When does that disclaimer become
unintelligible? Seriously. I have a slight
age-related hearing issue but I don’t think I’m alone in suggesting that many
of these disclaimers simply can’t be understood.
So if I’m airing these, is my argument that frequency counts
and I’m planning on any given person hearing the spot 5 (7? 10?) times and that
by then the language should be clear? Or
maybe it’s that, “Hey! Here’s the
script. The words are there. What’s your problem.”
Now any of you who know me are probably aware that I think
it’s our individual, personal responsibility to check out any product or
service before you or I purchase it, asking all the questions. But, if there’s going to be a federal rule
about it, doesn’t it need to get followed?
If not, let’s get rid of the rule.
And if we’re keeping the rule, do I get to sue the
manufacturer when the product doesn’t perform and the disclaimer was rendered
unintelligible by processing? Take a
number, please.
Next time, we can talk about mouse type on the screen and how, despite high definition, it can be unreadable.
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